Short film
ALEX SÜD follows Mme Selina, a former elite task-force operative who disappeared from the world she once served after becoming a state witness in Germany. Years later, she lives quietly in Alexandra with her young daughter, determined to build a normal life far from the violence and secrets of her past. But when shadows from her old life resurface and threaten the only family she has left, Selina is forced back into survival mode. The story unfolds in a single continuous take, immersing the audience in her desperate race through the township as she confronts the ghosts she thought she had escaped. Blending raw emotion with relentless tension, ALEX SÜD is a powerful story about resilience, identity, and a mother’s determination to protect what matters most.
Haunted by a collapsing relationship, a young man journeys through a dreamlike subconscious landscape where a Snow Woman consumes his memories, forcing him to choose between erasing the pain of love or returning to reality and confronting the emotions he has tried to escape.
In the world of film theory, the director is the supreme creator. However, for Bob, the protagonist of this one-minute meta-metaphysical nightmare, that hierarchy collapses with a single keystroke. While trying to enjoy a well-deserved moment of peace with a piece of cake, Bob realizes his reality doesn’t belong to him, but to an invisible Editor. Time for Bob ceases to be linear—he becomes a victim of a brutal "Undo" process. Through a series of violent jump cuts, absurd wardrobe changes, and forced rewinds, Bob experiences a digital version of purgatory. The film explores the thin line between the silver screen and reality, turning a technical glitch into existential horror. In the end, Bob doesn't seek salvation from a director; instead, he attempts to "cut" the very light source of the machine that created him, proving that in the digital age, the only true God is the one with their finger on CTRL+Z.
Soñamos lo que anhelamos, lo que tememos, lo que sentimos, lo que queremos.
In a near-apocalyptic future, a son discovers the unsettling truth about his father’s creation and embarks on a reckless mission against his mother to reconnect with him in his catatonic state.
PLAY MOVIE (please click here)
Hello! I am Thomas (Tom, Tommy, doesn't matter as long it's a form of Tom) Spence, nice to meet you! I started my filmmaking career taking a screenwriting & video production class in high school, making simple class project videos like PSA's and music video's. I was always confused on what I wanted to do with my life, as most classes in school felt like busywork and didn't take much interest, but that first video production class changed everything. For the first time, I partook in class discussions constantly, and didn't groan when the teacher announced a project is being assigned.
Jokes aside, that is when I found out what I wanted to do with my life. In college, I enrolled at the New York Film Academy in Manhattan, with a BFA in Filmmaking. There I learned more than just writing and taking a camera and shooting, I learned the ins and outs of every position one can be when a film is being made. During my time at NYFA, I wrote, directed, and, produced two short films for my capstone, "Best Seller", and "Scam Likely", which are being submitted to festivals.
I also have been a background actor for Amazon Prime shows like "The Marvelous Mrs. Maisel" and "Shelter", you can see me if you pause the show exactly at a specific frame!
PLAY MOVIE (please click here)A mysterious new game is found at a thrift shop that transports a group of friends on Maya's birthday to different time periods, challenging them as each one must face a dark fate for the others to move on to the next level.
An afflicted soul wanders a wilderness that seems alive with torment—its silence broken only by the whispers of something dark, something ancient. Struggling to distinguish delusion from truth, he’s pulled deeper into a shadowed realm where fear, doubt, and despair close in like fog. As his mind unravels and the world around him bends, fragments of something different—something radiant—begin to break through. A presence. A promise. A choice. The New Creation is a haunting descent into the human soul’s darkest night, and a stirring exploration of the mysterious force that can bring light to even the most forsaken path.
NO-W-AR is a short visual work that explores the universal human consequences of war through symbolic imagery. Free from references to specific conflicts, nations, or eras, the film offers an emotional and timeless reflection on loss, destruction, and silence
Days before her Adlib Ibiza fashion debut, Diana's world is rocked when her hands begin to tremble, rendering her unable to embroider her masterpiece. As she navigates the challenges this brings to her marriage and her own sense of self, Diana embarks on a journey of resilience and self-discovery, determined to redefine her aspirations in the face of unexpected adversity.
Set inside a brutalist museum after hours, three teenagers attempt a high-risk heist. Rendered in stark black-and-white noir, the film reframes theft not as crime, but as confrontation — a collision between institutional value and personal meaning. What makes something valuable? Scarcity? Protection? Naming? Or the simple act of deciding it matters? As walls protect what is deemed “priceless,” the film explores how value is constructed, who controls it, and how ownership reshapes belonging. In the dark, value becomes unstable. And sometimes what seems small holds everything that was missing.
The intention of LUCID was to explore the proliferation of digital media that has cultivated an era where the lines between reality and fiction are increasingly blurred. Though we turn to social media to connect, it ultimately estranges us from ourselves and others and to reality itself. The purpose of LUCID is to allegorically represent this disconnect through the medium of lucid dreaming in order to expose the disintegration of the authentic self within a hypermediated world. My film would be suited to audiences who have a suspicion that the contours of existence extend beyond the dimensions of an iPhone screen, who are painfully aware that we are, in the words of Postman, “amusing ourselves to death.”
The story of how a dementia man found his lost self with the love and help from his wife.
A highschool girl finds her friends suddenly avoiding her when she starts taking control of her future.
A quick look on the past, present and future on Argentina and Uruguay.
Two friends flee dull Barcelona for a Senegalese village. A local tale inspires them to abandon their emigration doc for an unexpected project.
Yousef, an Iranian asylum seeker and undocumented worker, faces a dilemma when an unexpected event occurs while he awaits the outcome of his interview, putting him at a crossroads.
PLAY MOVIE (please click here)
David, a depressed teenager, writes the ‘Suicide Catalog’. His alarmed teachers must confront the possibility that he intends to take his own life
After ten years of marriage, Birgit is confronted with the ultimate betrayal. Her younger husband, Hanus, has left her and moved in with a new and younger woman, Maria. Hanus is the kind of man everyone falls for – charming, magnetic, and with a particular power over women. Even those he has left behind remain emotionally entangled in his invisible web. Despite having emotionally and financially betrayed them, Hanus manages to maintain control. He returns whenever it suits him – including sexually – and the women let him. In a car parked in a lot in Tórshavn, everything comes to a head. In a claustrophobic space between car seats, love, power and humiliation collide in a moment of raw emotional reckoning. "It’s Not Me You Should Pity" is a powerful psychological drama about losing one’s footing and dignity when love dies. The ending is open: Is Birgit’s breakdown a total collapse – or the first, fragile step toward freedom and human dignity
