Documentary
See how you get find your past, present and future life in a 3000 year old Naddi leaf
This is an oil-centrist documentary made as an Essay Film and using historical archives from Iran and the world. In this film, themes such as the discovery of oil in Iran, oil extraction and the impact of these events on Iran's governmental, political and cultural changes have been examined. In addition, the interventions and political games of foreign governments have also been discussed. The film is an archival feature documentary composed entirely of authentic footage up to 1979 and movements of recent years, exploring the complex relationship between Iran and oil, human rights, War, Women's personal and social lives and their problems and struggles, the shifts in political power, and the influence of foreign governments in shaping the country's destiny.
Brothers Mic & Jim Conway have been playing music since school days, when they started the Jellybean Jug Band together, which subsequently morphed into the Captain Matchbox Whoopee Band. In the early 1970s Captain Matchbox were a tearaway success with old 1920s/30s tunes such as My Canary Has Circles Under His Eyes and comical tunes of their own, like Wangaratta Wahine. Mic loves visual entertainment and vaudeville, and creating instruments out of anything to hand. He has been in countless band line-ups over the last 40 years, and they all demonstrate his unique vision of performance, circus and vaudeville. Jim on the other hand is a natural musician and a blues one at that. He found his instrument early on in Captain Matchbox with the harmonica, proceeding to become one of Australia’s foremost blues harp players. As has been said of them, the brothers make sibling rivalry an art form, but they are also very close. At the age of 30 Jim was diagnosed with multiple sclerosis (MS), and this has gradually progressed over the last 40 years to the point where Jim is now virtually quadriplegic and can no longer play harmonica. Jim is married and Mic has his own family, but they have remained side by side through the years.
Two friends flee dull Barcelona for a Senegalese village. A local tale inspires them to abandon their emigration doc for an unexpected project.
The film The Card Players is a free adaptation of the series of works by the French painter Paul Cézanne, bearing the same name. It consists of four episodes—Venus, Grafting the Vine, Grapes, and Bitter Wine—each with a different story.
In the episode Venus, symbolized by Diamonds, the main character has a deep connection with objects. Therefore, this episode places greater emphasis on objects. The main character is inspired by the standing café owner in Paul Cézanne’s painting The Card Players.
The episode Grafting the Vine, symbolized by Clubs, tells the story of a painter who portrays a woman in a garden. This episode emphasizes plants, and the main character is inspired by the figure on the right in Paul Cézanne’s painting The Card Players.
In the episode Grapes, symbolized by Spades, we see a young man living with several cats. The focus of this episode is on animals. The young man intends to make a change in his life of crime—not by abandoning it, but by committing crimes independently. This episode is inspired by the man on the left in Paul Cézanne’s painting The Card Players.
In the episode Bitter Wine, which follows Grafting the Vine and Grapes, we witness the brief companionship of two strangers. One is a man, an art dealer specializing in unknown painters, and the other is a woman, who previously appeared as a model in Grafting the Vine. The female character is inspired by the woman behind the two card players in Paul Cézanne’s painting The Card Players.
Symbolized by Hearts, this episode draws inspiration from the central figure in the painting. The two characters become travel companions for less than an hour.
