Social Issues, Women Issues, Social Issues & Legal Issues
The Last Cover (SCRIPT)
Due to copyright protection we are unable to reveal the script online. Anyone interested to read the script may have to contact the writer directly and ask for permission to read it or get a copy of the script. Thank you for your understanding.
A young model finds a lump on her breast that changes her life.
Khalil Hanaa
Lady Jasmine
Love at first slide
My mother’s home
Carmen is a 40 year old woman. Her mother, whom she never had a great relationship with has passed away, but now, through taking care of the home in which she grew up in, she puts herself in her mother’s shoes and finally manages to understand.
Dark Orange (Anima)
Wounds of a Boy (SCRIPT, AU)
Due to copyright protection we are unable to reveal the script online. Anyone interested to read the script may have to contact the writer directly and ask for permission to read it or get a copy of the script. Thank you for your understanding.
Shane returns to his rural childhood home with one objective: get through a family gathering without reopening the wounds he buried decades ago. But when his uncle Mort — the man who raised him after his parents’ deaths — is declared missing, Shane is forced back into the place where his trauma began.
As police question the family, Shane’s composure fractures. His preserved childhood bedroom, filled with relics of boyhood, becomes a silent witness to what was taken from him. His wife Audrey senses the truth before Shane can speak it — that Mort’s disappearance is bound to years of sexual abuse hidden behind respectability and silence.
When Mort reappears unexpectedly at Shane and Audrey’s remote Australian property, the past refuses to stay buried. Audrey witnesses Mort’s predatory control over Shane and understands, with devastating clarity, that the abuse never truly ended. Faced with a system that failed a child and would protect the abuser again, Audrey acts. Mort is killed, and his disappearance becomes deliberate.
In the aftermath, Shane confronts the cost of survival — the shame, the fear, and the complicity enforced by love and family. As police search for answers inside the same house where the abuse occurred, Shane and Audrey choose a different kind of silence, mirroring the lies that once protected Mort.
Yet something shifts. Shane moves from a man frozen by trauma to one who is finally seen and defended. Audrey becomes both protector and moral reckoning. 'Wounds of a Boy' is a stark Australian psychological thriller about buried violence, inherited silence, and the terrible, transformative moment when a survivor is finally believed.
Blue Berri
naftallin
This is an oil-centrist documentary made as an Essay Film and using historical archives from Iran and the world. In this film, themes such as the discovery of oil in Iran, oil extraction and the impact of these events on Iran's governmental, political and cultural changes have been examined. In addition, the interventions and political games of foreign governments have also been discussed. The film is an archival feature documentary composed entirely of authentic footage up to 1979 and movements of recent years, exploring the complex relationship between Iran and oil, human rights, War, Women's personal and social lives and their problems and struggles, the shifts in political power, and the influence of foreign governments in shaping the country's destiny.
Hitman EX
Yousef
Yousef, an Iranian asylum seeker and undocumented worker, faces a dilemma when an unexpected event occurs while he awaits the outcome of his interview, putting him at a crossroads.
Coming to Mother
Coming to Mother tells the story of a mother and daughter's reunion after years apart. When Qianqian finds herself homeless after being deceived and is about to leave Nanjing, she meets her terminally ill mother at a café. Years ago, her mother fled an unhappy marriage in pursuit of freedom, and though she feels guilty for not being there during her daughter's upbringing, she still hopes Qianqian will be as brave and independent as she once was. She leaves her house to her daughter, encouraging her to take control of her own destiny and avoid repeating the pattern of being trapped. Initially filled with resentment, Qianqian eventually understands her mother's intentions and decides to accompany her to the sea to fulfill her final wish. The story concludes with mother and daughter reconciled—both a redemption of family bonds and a symbol of Qianqian "following" in her mother's footsteps to become a free and strong woman. The narrative focuses on the emotional rift and reconciliation between mother and daughter, weaving together personal choices, women's destiny, and profound yet restrained maternal love.
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