Todays Recommendation
Due to copyright protection we are unable to reveal the script online. Anyone interested to read the script may have to contact the writer directly and ask for permission to read it or get a copy of the script. Thank you for your understanding.
A young model finds a lump on her breast that changes her life.
A female composer in a modern world of robots, wants to compose music for a film about nature.
Soñamos lo que anhelamos, lo que tememos, lo que sentimos, lo que queremos.
An afflicted soul wanders a wilderness that seems alive with torment—its silence broken only by the whispers of something dark, something ancient. Struggling to distinguish delusion from truth, he’s pulled deeper into a shadowed realm where fear, doubt, and despair close in like fog. As his mind unravels and the world around him bends, fragments of something different—something radiant—begin to break through. A presence. A promise. A choice. The New Creation is a haunting descent into the human soul’s darkest night, and a stirring exploration of the mysterious force that can bring light to even the most forsaken path.
Due to copyright protection we are unable to reveal the script online. Anyone interested to read the script may have to contact the writer directly and ask for permission to read it or get a copy of the script. Thank you for your understanding.
Marko: Dog of War is a gripping and emotionally charged story that follows the harrowing journey of three Ukrainian siblings as they navigate the dangers of a country torn by conflict. With unique perspective s on the impact of war on children and the unbreakable bonds of family, this screenplay offers a fresh take on the war drama genre. The story centers around three siblings: Andriy, the protective older brother; Daryna, the resourceful middle sister; and Katryna, the youngest.
Days before her Adlib Ibiza fashion debut, Diana's world is rocked when her hands begin to tremble, rendering her unable to embroider her masterpiece. As she navigates the challenges this brings to her marriage and her own sense of self, Diana embarks on a journey of resilience and self-discovery, determined to redefine her aspirations in the face of unexpected adversity.
Due to copyright protection we are unable to reveal the script online. Anyone interested to read the script may have to contact the writer directly and ask for permission to read it or get a copy of the script. Thank you for your understanding.
Shane returns to his rural childhood home with one objective: get through a family gathering without reopening the wounds he buried decades ago. But when his uncle Mort — the man who raised him after his parents’ deaths — is declared missing, Shane is forced back into the place where his trauma began.
As police question the family, Shane’s composure fractures. His preserved childhood bedroom, filled with relics of boyhood, becomes a silent witness to what was taken from him. His wife Audrey senses the truth before Shane can speak it — that Mort’s disappearance is bound to years of sexual abuse hidden behind respectability and silence.
When Mort reappears unexpectedly at Shane and Audrey’s remote Australian property, the past refuses to stay buried. Audrey witnesses Mort’s predatory control over Shane and understands, with devastating clarity, that the abuse never truly ended. Faced with a system that failed a child and would protect the abuser again, Audrey acts. Mort is killed, and his disappearance becomes deliberate.
In the aftermath, Shane confronts the cost of survival — the shame, the fear, and the complicity enforced by love and family. As police search for answers inside the same house where the abuse occurred, Shane and Audrey choose a different kind of silence, mirroring the lies that once protected Mort.
Yet something shifts. Shane moves from a man frozen by trauma to one who is finally seen and defended. Audrey becomes both protector and moral reckoning. 'Wounds of a Boy' is a stark Australian psychological thriller about buried violence, inherited silence, and the terrible, transformative moment when a survivor is finally believed.
A quick look on the past, present and future on Argentina and Uruguay.
This is an oil-centrist documentary made as an Essay Film and using historical archives from Iran and the world. In this film, themes such as the discovery of oil in Iran, oil extraction and the impact of these events on Iran's governmental, political and cultural changes have been examined. In addition, the interventions and political games of foreign governments have also been discussed. The film is an archival feature documentary composed entirely of authentic footage up to 1979 and movements of recent years, exploring the complex relationship between Iran and oil, human rights, War, Women's personal and social lives and their problems and struggles, the shifts in political power, and the influence of foreign governments in shaping the country's destiny.
Coming to Mother tells the story of a mother and daughter's reunion after years apart. When Qianqian finds herself homeless after being deceived and is about to leave Nanjing, she meets her terminally ill mother at a café. Years ago, her mother fled an unhappy marriage in pursuit of freedom, and though she feels guilty for not being there during her daughter's upbringing, she still hopes Qianqian will be as brave and independent as she once was. She leaves her house to her daughter, encouraging her to take control of her own destiny and avoid repeating the pattern of being trapped. Initially filled with resentment, Qianqian eventually understands her mother's intentions and decides to accompany her to the sea to fulfill her final wish. The story concludes with mother and daughter reconciled—both a redemption of family bonds and a symbol of Qianqian "following" in her mother's footsteps to become a free and strong woman. The narrative focuses on the emotional rift and reconciliation between mother and daughter, weaving together personal choices, women's destiny, and profound yet restrained maternal love.
What the evening left behind rests in corners of my heart, Like old postcards made of starlight from the years that fell apart, And the hush of twilight whispers on the windows of my mind, Of the tenderness and sorrow only time could help me find. What the evening left behind still remains beneath my skin, Soft reminders of the journey and the paths I’ve wandered in, Though the horizon keeps on fading, though the dusk is redefined— I am warmed by all the stories that the evening left behind. There are feelings I can’t measure, there are nights I can’t forget, When the world was full of longing and the sky was violet, Yet the sweetness of the memory settles gently in my bones— What the evening left behind still feels like coming home. What the evening left behind still remains beneath my skin, Soft reminders of the journey and the paths I’ve wandered in, Though the horizon keeps on fading, though the dusk is redefined— I am warmed by all the stories that the evening left behind. So I breathe the quiet twilight and I hold it close and mild, Let the softest recollection kiss the shadow of the child, For the echoes of the sunset tell a truth both sweet and kind— Life is made of what we carry… and what evening leaves behind. What the evening left behind still remains beneath my skin, Soft reminders of the journey and the paths I’ve wandered in, Though the horizon keeps on fading, though the dusk is redefined— I am warmed by all the stories that the evening left behind. And the echo stays within me, like a friend who never leaves.
After ten years of marriage, Birgit is confronted with the ultimate betrayal. Her younger husband, Hanus, has left her and moved in with a new and younger woman, Maria. Hanus is the kind of man everyone falls for – charming, magnetic, and with a particular power over women. Even those he has left behind remain emotionally entangled in his invisible web. Despite having emotionally and financially betrayed them, Hanus manages to maintain control. He returns whenever it suits him – including sexually – and the women let him. In a car parked in a lot in Tórshavn, everything comes to a head. In a claustrophobic space between car seats, love, power and humiliation collide in a moment of raw emotional reckoning. "It’s Not Me You Should Pity" is a powerful psychological drama about losing one’s footing and dignity when love dies. The ending is open: Is Birgit’s breakdown a total collapse – or the first, fragile step toward freedom and human dignity
"Cine au fost stramosii nostri?"
