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After 18 years of marriage, Hana resumes her academic journey, paused due to life’s challenges. Her companion and husband Khalil, stands by her with love and faith in her dreams. They face obstacles until Hana earns her degree and opens her law practice, proving how love turns dreams into reality.
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Al Hayba is a powerful visual and musical statement by Lebanes singer Eva Madi, blending authentic Egyptian musical sensibilities with modern global production. The music video confronts the illusion of glamour and perfection that dominates social media culture, contrasting curated appearances with the raw, unfiltered human experience beneath them. Through expressive choreography, striking imagery, and emotionally charged performance, Eva Madi portrays a woman caught between confidence and vulnerability between the persona she presents to the world and the truth she hides within. The video unfolds as a visual metaphor for the digital age’s obsession with validation, urging viewers to rediscover authenticity and self-worth. Artistic Vision: Directed with a cinematic eye, Al Hayba fuses rhythm, symbolism, and social reflection. Its production design juxtaposes opulence and stark minimalism, mirroring the conflict between fantasy and reality. The result is a visually rich, emotionally resonant work that bridges Middle Eastern culture and contemporary global aesthetics. This music video stands out for its cross-cultural fusion, social relevance, and strong female artistic voice, making it suitable for programs that celebrate: Music Videos as Artistic Expression Social-Impact Visual Storytelling Emerging Voices in Arabic Music and Visual Art

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PLAY MOVIE (please click here)A young couple appears to live a peaceful life, yet beneath the surface their relationship is fractured. The woman struggles with the weight of a one-sided emotional bond and makes a final attempt to restore intimacy. Her partner dismisses her feelings, reducing their connection to physicality and treating her as subordinate. Disillusioned and depressed, she confronts the painful reality of emotional neglect. Ironically, he sees himself as a feminist and advocate for women’s rights, publicly condemning physical violence and participating in the International Day for the Elimination of Violence Against Women, while failing to recognize the harm within his own relationship.
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Neena, an adventurous final-year engineering student with a love for travel and new experiences, finds her world shrinking overnight when the COVID-19 lockdown confines her to a single room. What begins as temporary isolation slowly turns into a suffocating loop of routines, screens, and silence. When a new job takes her to Kochi, she sees it as her ticket to freedom but soon realizes the walls have only changed their color. Caught between global chaos and personal stillness, Neena’s spirit starts to crumble under the weight of monotony and loneliness. “Neena Signing Off” is a reflection of a generation that learned how fragile and how resilient the human mind can be when the world stands still.
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This is an oil-centrist documentary made as an Essay Film and using historical archives from Iran and the world. In this film, themes such as the discovery of oil in Iran, oil extraction and the impact of these events on Iran's governmental, political and cultural changes have been examined. In addition, the interventions and political games of foreign governments have also been discussed. The film is an archival feature documentary composed entirely of authentic footage up to 1979 and movements of recent years, exploring the complex relationship between Iran and oil, human rights, War, Women's personal and social lives and their problems and struggles, the shifts in political power, and the influence of foreign governments in shaping the country's destiny.

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 (Disqualified: No screener provided)

Born on August 23, 1982, in Shahroud, Iran; he holds a Master's degree in Theater with a concentration in Dramatic Literature from University of Art in Tehran. He has directed three short films: “Introduction” (Producer:IYCS), “Departure” (Producer:TOTAKO Film Production), and “Pretension” (Producer:IYCS) He has also written and published seventeen plays and one novel.  

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Yousef, an Iranian asylum seeker and undocumented worker, faces a dilemma when an unexpected event occurs while he awaits the outcome of his interview, putting him at a crossroads.

Due to copyright protection we are unable to reveal the script online. Anyone interested to read the script may have to contact the writer directly and ask for permission to read it or get a copy of the script. Thank you for your understanding. On a cold night in a small-town mortuary, a solitary Ghassal (a person who ritually washes the dead in Islamic tradition) is assigned to prepare the body of a man who destroyed his life years ago — the same man who cunningly took away his wife and infant daughter. As he washes the corpse, haunting memories return: of prison, overwhelming debt, and the family he lost. Now, torn between religious duty and the desire for revenge, he faces a haunting question: Can the dead ever be forgiven?

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