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Due to copyright protection we are unable to reveal the script online. Anyone interested to read the script may have to contact the writer directly and ask for permission to read it or get a copy of the script. Thank you for your understanding.

In the pandemonium of a World War II blitz, Frankie, a local soldier on leave, must navigate the bomb-ravaged streets of Liverpool to find his missing two-year-old daughter and save her life. Battling both the dangers of war and paralysing guilt, he races against time in a desperate struggle for survival and redemption.

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“If Footprints Were Meant to Last, No One Would Ever Lose Their Way Home” This is a drama about a woman whose life is shattered when an acid attack on the street leaves her face disfigured. Believing it is her right to reclaim her image, she demands to destroy the paintings the artist once created of her. But the artist refuses to surrender the portraits, setting the stage for a painful confrontation over memory, identity, and ownership. Description: In this film, some poems of Ferdowsi’s Shahnameh, The Divan of Hafez and the novel The Blind Owl, written by Sadegh Hedayat are used.PLAY MOVIE (please click here)
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An afflicted soul wanders a wilderness that seems alive with torment—its silence broken only by the whispers of something dark, something ancient. Struggling to distinguish delusion from truth, he’s pulled deeper into a shadowed realm where fear, doubt, and despair close in like fog. As his mind unravels and the world around him bends, fragments of something different—something radiant—begin to break through. A presence. A promise. A choice. The New Creation is a haunting descent into the human soul’s darkest night, and a stirring exploration of the mysterious force that can bring light to even the most forsaken path.

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In the world of film theory, the director is the supreme creator. However, for Bob, the protagonist of this one-minute meta-metaphysical nightmare, that hierarchy collapses with a single keystroke. While trying to enjoy a well-deserved moment of peace with a piece of cake, Bob realizes his reality doesn’t belong to him, but to an invisible Editor. Time for Bob ceases to be linear—he becomes a victim of a brutal “Undo” process. Through a series of violent jump cuts, absurd wardrobe changes, and forced rewinds, Bob experiences a digital version of purgatory. The film explores the thin line between the silver screen and reality, turning a technical glitch into existential horror. In the end, Bob doesn’t seek salvation from a director; instead, he attempts to “cut” the very light source of the machine that created him, proving that in the digital age, the only true God is the one with their finger on CTRL+Z.

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In a desolate world of industrial concrete construction, a man finds hope in a little sprouted plant.
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In a near-apocalyptic future, a son discovers the unsettling truth about his father’s creation and embarks on a reckless mission against his mother to reconnect with him in his catatonic state.

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An afflicted soul wanders a wilderness that seems alive with torment—its silence broken only by the whispers of something dark, something ancient. Struggling to distinguish delusion from truth, he’s pulled deeper into a shadowed realm where fear, doubt, and despair close in like fog. As his mind unravels and the world around him bends, fragments of something different—something radiant—begin to break through. A presence. A promise. A choice. The New Creation is a haunting descent into the human soul’s darkest night, and a stirring exploration of the mysterious force that can bring light to even the most forsaken path.

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A free spirit girl fell for a medical doctor after drifting through life with an unsettled heart

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Catatumbo is a subregion of Norte de Santander, on the border with Venezuela. Its jungles, mountains, and rivers shelter the unique Catatumbo Lightning, which lights the skies every night. Violence escalated in the late 1970s, when guerrilla groups like the ELN, EPL, and FARC increased armed actions with killings, kidnappings, and town takeovers. Between 1999 and 2006, paramilitary groups—the Catatumbo Bloc, the Héctor Julio Peinado Front, and the Motilona Resistance Front—left 99,074 displaced, 832 selective killings, and 599 massacre deaths. According to CNMH, over 59% of three decades of displacements occurred in that period. Child recruitment marked another wound: the Truth Commission documented 18,677 individual cases. By 2019, the National Information Network recorded 37,978 victims in Catatumbo, including 19,390 women. On January 16, 2025, clashes between FARC dissidents and the ELN in Tibú and El Tarra triggered another crisis. The UN reported 91,879 people affected, with 56,091 displaced to Cúcuta, Ocaña, and Tibú. UNICEF noted that 84,165 people were impacted, including 70,000 children and adolescents. Of them, 52,807 were displaced and 31,355 confined. Amid state neglect, coca cultivation became a survival strategy for many families, but it also exposed them to persecution, violence, and stigma. To speak of Catatumbo is to name its pain, but also the resilience of its people. Despite hardship, thousands remain standing. Sources: CNMH; UN/OCHA; UNICEF Colombia; Verdad Abierta; El País. Production Notes: This short film was created entirely using artificial intelligence tools for animation, narrative, sound, and editing, including Veo 3, Flow, Whisk, Gemini, ChatGPT, and CapCut. Credits – Short Film PLAY MOVIE (please click here)PLAY MOVIE (please click here)Title: Catatumbo: House of Thunder, Memory and Dignity Direction, Screenplay & Production: Jhonattan Sarmiento Art Direction & Animation: Generative AI (Veo 3, Flow, Whisk, Gemini, ChatGPT) Editing & Post-Production: CapCut Sound Design & Music: Generative AI, edited and mixed in CapCut

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Touched by the Earth’s breathtaking cross-stitch patterns in the sky, a Puyuma boy feels an overwhelming longing for his sister, who is on a space station. Sparking curiosity in viewers of all ages, Giwas and her friends of the animated series, “Go Go Giwas” , travel around Taiwan 16 indigenous tribes and board a legendary time machine bound for a space station on a journey experiencing indigenous culture, Astronaut life and the concept of sustainable development to explore popular STEM and space science.PLAY MOVIE (please click here)

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THE CREW is based on true events, and it is a behind the scenes view aboard a yacht on charter in the Mediterranean Sea. It’s got the key ingredients of a guaranteed successful film – sex, drugs, drama, raw comedy. Mix that with some hilarious situations with great characters and you have a very entertaining project. The book is currently receiving 5 star reviews from readers and has an ever growing audience on social media. The book begins with a brief description of the yacht’s crew and their colorful history. The book follows the crew’s lives and daily routine aboard a large, state of the art millionaire’s motor yacht. The gleaming white yacht is hired by a seedy Russian gangster and his entourage. When you mix unlimited cash, with booze and bikini models you get a recipe for scandal and below deck the crew see it all. The book takes you on a raw, fast paced, hilarious joyride as the crew work and party around the clock on the charter, visiting the fashionable and hedonistic ports of the Mediterranean. It is not just a story of the glitzy, awe inspiring millionaire’s yachting industry. It is a story of brotherhood, characters, comradeship, innocence, deviousness, being human and pulling together in the face of adversity. It’s about finding out what’s important in life through experiencing it, finding love and friendship and above all humor.
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After ten years of marriage, Birgit is confronted with the ultimate betrayal. Her younger husband, Hanus, has left her and moved in with a new and younger woman, Maria. Hanus is the kind of man everyone falls for – charming, magnetic, and with a particular power over women. Even those he has left behind remain emotionally entangled in his invisible web. Despite having emotionally and financially betrayed them, Hanus manages to maintain control. He returns whenever it suits him – including sexually – and the women let him. In a car parked in a lot in Tórshavn, everything comes to a head. In a claustrophobic space between car seats, love, power and humiliation collide in a moment of raw emotional reckoning. “It’s Not Me You Should Pity” is a powerful psychological drama about losing one’s footing and dignity when love dies. The ending is open: Is Birgit’s breakdown a total collapse – or the first, fragile step toward freedom and human dignity?

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