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In the millennium, in a small county town, eighteen-year-old Chen Yang was determined to fulfill his late mother’s last wish and move to a big city. By chance, he met Lin Shanshan, a “distant relative,” during an accidental encounter at a bookstore. His father, Chen Weiguo, introduced her as a friend’s relative who would be staying with them temporarily. As they spent more time together, a subtle affection grew between Chen Yang and Lin Shanshan. After his father once again pressured him to take over the family hardware store, Chen Yang accidentally discovered an invitation to his father and Lin Shanshan’s wedding under the coffee table. He rushed to find Lin Shanshan, but only received silence in reply. On the eve of the wedding, Chen Yang asked Lin Shanshan if she would leave the county town with him—she refused. On the wedding day, Lin Shanshan finally saw clearly the ugliness of the townspeople and the true nature of marriage. That very night, she and Chen Yang rode away from the county town together on a motorcycle.
An intimate short documentary about artist Rita Winkler, whose watercolor world reveals a creative process shaped by instinct, rhythm, repetition, and color.
PLAY MOVIE (please click here)
WATCH TRAILERStanding on Business: The Golden Key Story is an inspiring documentary that follows the journey of entrepreneurs who refused to let circumstance define their future. Set in Memphis, Tennessee, the film chronicles the impact of Golden Key Entrepreneur Training Academy, an innovative nonprofit dedicated to transforming lives through entrepreneurship, education, and economic empowerment. Through powerful testimonials, spoken word performances, original music, and intimate behind the scenes moments, viewers witness ordinary people becoming extraordinary business owners while breaking cycles of poverty and creating generational wealth. More than a documentary about business, Standing on Business is a story about resilience, purpose, community, and the courage to bet on yourself when no one else will. The film challenges audiences to rethink what entrepreneurship looks like and demonstrates that with opportunity, mentorship, and determination, entire communities can be transformed.
Due to copyright protection we are unable to reveal the script online. Anyone interested to read the script may have to contact the writer directly and ask for permission to read it or get a copy of the script. Thank you for your understanding.
After generations of recon and endless casualties, trillions of spiders across the globe launch a ruthless, simultaneous strike to eradicate the human race once and for all.
A story of a group of Generation Z friends who started a revival in Florida.
Due to copyright protection we are unable to reveal the script online. Anyone interested to read the script may have to contact the writer directly and ask for permission to read it or get a copy of the script. Thank you for your understanding.
Heirloom is a multi‑generational ensemble drama rooted in legacy, secrecy, and the quiet violence of familial control. The story unfolds across two interwoven timelines: beginning in the 1860s Caribbean, moving through 20th‑century England, and ultimately converging in the present day.
It traces the rise of the Watson family — plantation owners whose wealth, silence, and emotional repression become the foundation of a legacy that quietly shapes and governed the prosperous English market town of Cobblebridge.
The opening narrative begins in 1865 Jamaica, on a sugar plantation owned by Jonathan Watson. Privilege and decadence abound. After a fever outbreak takes the lives of his wife and daughters, Jonathan’s surviving son, seven‑year‑old Albert, grows up holding his father responsible – eventually confronting him and soon after flees to England. Years later, upon Jonathan’s death, solicitors track down an impoverished Albert, who unexpectedly inherits a vast fortune.
The story follows Albert through 20th‑century England as he establishes himself and his young family in Cobblebridge, founding businesses including the Rolling Meadows Golf Club and a community theatre through the Watson Foundation.
This timeline is marked by profound loss: the death of his wife, Eva, the death of his son, Christian, in World War II, and the suicide of his other son, Harry, whom Albert disownes for being gay.
In old age, a bitter and controlling Albert coerces his housekeeper into bearing him an heir (Maureen) and then murders her, angered at being given an heiress.
Before Albert’s death — brought about by Maureen having uncovered the truth about his part in her mother’s murder — he has raped his teenage daughter, Maureen, an act that resulted in the birth of his son, Charles.
Contemporary Timeline — Cobblebridge, 2018 The present‑day plot centres on the Cobblebridge and Communities Amateur Opera and Musical Theatre Society, an organisation quietly sustained by the Watson Foundation. The contemporary conflict is sparked by the society’s controversial decision to stage Show Boat — a choice secretly engineered by the retiring musical director, Gerry, and the chairman, Richard, who, driven by their frustration with the status quo, rig the ballot selecting the society’s next production and force it through.
Their whispered pact is overheard by a stagehand, Jimmy, creating a source of blackmail that threatens to unravel the society from within. The proposed production draws a more diverse group from the community into an exclusive membership and also into conflict, exploring subplots including: a new musical director whose reliance on medication has tipped into addiction, an ex-con stagehand on probation and in hiding from retribution from a deal gone wrong, a couple navigating infertility while being harassed by a vengeful antagonist, and a single mother and her son confronting their hidden history and racial identity.
Meanwhile, as the rehearsal process proceeds it is being covertly sabotaged, with the ultimate aim of preventing the show from ever reaching the stage — its cancellation triggering a little‑known covenant condemning the theatre for demolition and returning the land it occupies to its ancestral owners: the Watsons.
But time is running out. Before the curtain comes on the opening night, one final heinous will take place insuring their inheritance — an act for which the Watsons’ blood‑stained past has long prepared them for.
Structure and Thematic Spine The narrative uses a non‑linear, interwoven structure, shifting between the historical past and the 2018 present to reveal how the Watson family’s secrets and injustices directly fuel the contemporary storyline.
The structure makes clear that the colonial wealth generated on the 19th‑century sugar plantation is the financial engine behind the modern‑day theatre and community institutions.
More importantly, the historical timeline exposes the traumatic origins of the primary antagonists, Maureen and Charles, whose actions in the present are shaped — and warped — by their violent inheritance.
By weaving these periods together, the story creates dramatic irony and escalating suspense, demonstrating that the past is not merely backstory but an active, destructive force in the present.
This music video tells the story of a couple on the run via horseback through the Outback of Australia from the jealous Sheriff Clyde.
Due to copyright protection we are unable to reveal the script online. Anyone interested to read the script may have to contact the writer directly and ask for permission to read it or get a copy of the script. Thank you for your understanding.
When a man wakes up in a hotel with total amnesia, his only clue to his past is a disturbing journal, driving him to extreme measures to keep it from being exposed.
A film about a man who stops to understand what’s truly important in life. Sometimes the path to light begins with acknowledging one’s own emptiness.
A Documentary Musical About the Warren Court and the Constitutional Revolution
Hamilton meets Ken Burns in this groundbreaking documentary musical that brings the landmark cases of the Warren Court to life through original music, historical storytelling, and innovative AI technology—including AI-generated voices, music, and lip-synching that allow real historical figures to “sing” their stories.
A childhood “love at first sight” ripens into a profound spiritual bond. But fate separates the two children forever after a bitter family conflict. They never meet again.They never marry.Yet their souls remain inseparable. Through the passing decades, they survive only through dreams, dreams that become their secret universe,their shelter,their fulfilled love. Nothing truly happens in reality.Everything unfolds within dreams,the inner world of two aging lovers who continue loving each other across a lifetime of absence. In those dreams, their love transforms them into compassionate social workers, serving humanity together.A spiritual love so pure that it dissolves personal longing into universal compassion. The blood bag, pigeon, peacock, cat, dog, and creative arts are recurring symbols of the invisible thread that keeps their souls alive,sustaining them through an entire lifetime without a single reunion after childhood. Rooted in the essence of Advaita Vedanta, the film explores the non-dual nature of existence ,where dreams and reality merge, distances disappear, and the boundaries between “you” and “me” dissolve into eternal oneness. Unfulfilled desires do not destroy them.Dreams fulfill what life could not. In the final scene, inspired by an ancient Indian funeral ritual, cooked rice is offered to a crow after death.If the crow refuses the offering, it is believed that the soul remains bound by earthly desires.If the crow accepts it, the soul is finally free. In this story, the crow arrives.Because love, though never lived in reality, was completely fulfilled in dreams. Some souls do not need a lifetime together to become eternal.” Their bodies remained apart. Their dreams never did.” A love never lived… yet completely fulfilled. This film looks like a romantic love story but it is not – It is an anti-war film underlining the divine unity of the whole Humanity together –Nations may be separate physically but if their citizen are spiritually united as one , there can never be any war in the world.Only love and peace will prevail forever.
How can a single mushroom become an umbrella of shared prosperity on the Loess Plateau? Umbrellas of Prosperity: Mushroom Bloom on the Loess Plateau follows agricultural scientist Huang Chao, whose lifelong dedication to the Loess Plateau has transformed mushroom cultivation through scientific innovation. The film documents his team’s breakthroughs in converting agricultural waste into valuable growing substrates, developing new mushroom varieties, and transferring technology to local farmers. Their work has revitalized abandoned cave dwellings into productive mushroom farms, turning a humble mushroom into a powerful driver of rural revitalization. More than a documentary about agricultural science, this is a story of perseverance, innovation, and the pursuit of shared prosperity.
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Due to copyright protection we are unable to reveal the script online. Anyone interested to read the script may have to contact the writer directly and ask for permission to read it or get a copy of the script. Thank you for your understanding.
A nineteen-year-old boy is arrested on charges of killing his father. His mother, who divorced the father long ago, comes to visit him. Crying, the boy tells her that he did not kill his father. The mother promises to find him the best lawyer. Yet, faced with the evidence, the boy is ultimately sentenced to death. In the days while the boy waits for his final day, a long-buried past quietly begins to surface. The real killer and the mother’s secret are revealed one by one…
In the closure of the city’s last video rental stores, this short documentary finds its starting point to reflect on urban gentrification and the changing habits of consumption. Through disappearing spaces and the people who once inhabited them, the film connects the loss of these places with the transformation of the audiovisual medium and the arrival of artificial intelligence, used as a metaphor for an unstoppable technological change that redefines the way we live, consume, and relate to culture, leaving open the question of what is lost along the way.
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Wedding day, after the restaurant, the husband and wife go to the apartment to spend time together, but how they spend it remains a mystery.
Brothers Mic & Jim Conway have been playing music since school days, when they started the Jellybean Jug Band together, which subsequently morphed into the Captain Matchbox Whoopee Band. In the early 1970s Captain Matchbox were a tearaway success with old 1920s/30s tunes such as My Canary Has Circles Under His Eyes and comical tunes of their own, like Wangaratta Wahine. Mic loves visual entertainment and vaudeville, and creating instruments out of anything to hand. He has been in countless band line-ups over the last 40 years, and they all demonstrate his unique vision of performance, circus and vaudeville. Jim on the other hand is a natural musician and a blues one at that. He found his instrument early on in Captain Matchbox with the harmonica, proceeding to become one of Australia’s foremost blues harp players. As has been said of them, the brothers make sibling rivalry an art form, but they are also very close. At the age of 30 Jim was diagnosed with multiple sclerosis (MS), and this has gradually progressed over the last 40 years to the point where Jim is now virtually quadriplegic and can no longer play harmonica. Jim is married and Mic has his own family, but they have remained side by side through the years.
NO-W-AR is a short visual work that explores the universal human consequences of war through symbolic imagery. Free from references to specific conflicts, nations, or eras, the film offers an emotional and timeless reflection on loss, destruction, and silence
Days before her Adlib Ibiza fashion debut, Diana’s world is rocked when her hands begin to tremble, rendering her unable to embroider her masterpiece. As she navigates the challenges this brings to her marriage and her own sense of self, Diana embarks on a journey of resilience and self-discovery, determined to redefine her aspirations in the face of unexpected adversity.
(Disqualified: No screener provided)
Born on August 23, 1982, in Shahroud, Iran; he holds a Master’s degree in Theater with a concentration in Dramatic Literature from University of Art in Tehran. He has directed three short films: “Introduction” (Producer:IYCS), “Departure” (Producer:TOTAKO Film Production), and “Pretension” (Producer:IYCS) He has also written and published seventeen plays and one novel.
Due to copyright protection we are unable to reveal the script online. Anyone interested to read the script may have to contact the writer directly and ask for permission or a copy of the script. Thank you for your understanding.
Professor Wes Craven and third years UCLA film student Jon Carpenter are caught up in a slashers desire to bring back Alfred Hitchcock from the depth of hell.
Al Hayba is a powerful visual and musical statement by Lebanes singer Eva Madi, blending authentic Egyptian musical sensibilities with modern global production. The music video confronts the illusion of glamour and perfection that dominates social media culture, contrasting curated appearances with the raw, unfiltered human experience beneath them. Through expressive choreography, striking imagery, and emotionally charged performance, Eva Madi portrays a woman caught between confidence and vulnerability between the persona she presents to the world and the truth she hides within. The video unfolds as a visual metaphor for the digital age’s obsession with validation, urging viewers to rediscover authenticity and self-worth. Artistic Vision: Directed with a cinematic eye, Al Hayba fuses rhythm, symbolism, and social reflection. Its production design juxtaposes opulence and stark minimalism, mirroring the conflict between fantasy and reality. The result is a visually rich, emotionally resonant work that bridges Middle Eastern culture and contemporary global aesthetics. This music video stands out for its cross-cultural fusion, social relevance, and strong female artistic voice, making it suitable for programs that celebrate: Music Videos as Artistic Expression Social-Impact Visual Storytelling Emerging Voices in Arabic Music and Visual Art
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Carmen is a 40 year old woman. Her mother, whom she never had a great relationship with has passed away, but now, through taking care of the home in which she grew up in, she puts herself in her mother’s shoes and finally manages to understand.
Two friends flee dull Barcelona for a Senegalese village. A local tale inspires them to abandon their emigration doc for an unexpected project.
Two friends flee dull Barcelona for a Senegalese village. A local tale inspires them to abandon their emigration doc for an unexpected project.
Romantic for
Valentines Day
A childhood “love at first sight” ripens into a profound spiritual bond. But fate separates the two children forever after a bitter family conflict. They never meet again.They never marry.Yet their souls remain inseparable. Through the passing decades, they survive only through dreams, dreams that become their secret universe,their shelter,their fulfilled love. Nothing truly happens in reality.Everything unfolds within dreams,the inner world of two aging lovers who continue loving each other across a lifetime of absence. In those dreams, their love transforms them into compassionate social workers, serving humanity together.A spiritual love so pure that it dissolves personal longing into universal compassion. The blood bag, pigeon, peacock, cat, dog, and creative arts are recurring symbols of the invisible thread that keeps their souls alive,sustaining them through an entire lifetime without a single reunion after childhood. Rooted in the essence of Advaita Vedanta, the film explores the non-dual nature of existence ,where dreams and reality merge, distances disappear, and the boundaries between “you” and “me” dissolve into eternal oneness. Unfulfilled desires do not destroy them.Dreams fulfill what life could not. In the final scene, inspired by an ancient Indian funeral ritual, cooked rice is offered to a crow after death.If the crow refuses the offering, it is believed that the soul remains bound by earthly desires.If the crow accepts it, the soul is finally free. In this story, the crow arrives.Because love, though never lived in reality, was completely fulfilled in dreams. Some souls do not need a lifetime together to become eternal.” Their bodies remained apart. Their dreams never did.” A love never lived… yet completely fulfilled. This film looks like a romantic love story but it is not – It is an anti-war film underlining the divine unity of the whole Humanity together –Nations may be separate physically but if their citizen are spiritually united as one , there can never be any war in the world.Only love and peace will prevail forever.
Yousef, an Iranian asylum seeker and undocumented worker, faces a dilemma when an unexpected event occurs while he awaits the outcome of his interview, putting him at a crossroads.
Due to copyright protection we are unable to reveal the script online. Anyone interested to read the script may have to contact the writer directly and ask for permission to read it or get a copy of the script. Thank you for your understanding.
Shane returns to his rural childhood home with one objective: get through a family gathering without reopening the wounds he buried decades ago. But when his uncle Mort — the man who raised him after his parents’ deaths — is declared missing, Shane is forced back into the place where his trauma began.
As police question the family, Shane’s composure fractures. His preserved childhood bedroom, filled with relics of boyhood, becomes a silent witness to what was taken from him. His wife Audrey senses the truth before Shane can speak it — that Mort’s disappearance is bound to years of sexual abuse hidden behind respectability and silence.
When Mort reappears unexpectedly at Shane and Audrey’s remote Australian property, the past refuses to stay buried. Audrey witnesses Mort’s predatory control over Shane and understands, with devastating clarity, that the abuse never truly ended. Faced with a system that failed a child and would protect the abuser again, Audrey acts. Mort is killed, and his disappearance becomes deliberate.
In the aftermath, Shane confronts the cost of survival — the shame, the fear, and the complicity enforced by love and family. As police search for answers inside the same house where the abuse occurred, Shane and Audrey choose a different kind of silence, mirroring the lies that once protected Mort.
Yet something shifts. Shane moves from a man frozen by trauma to one who is finally seen and defended. Audrey becomes both protector and moral reckoning. ‘Wounds of a Boy’ is a stark Australian psychological thriller about buried violence, inherited silence, and the terrible, transformative moment when a survivor is finally believed.
Brothers Mic & Jim Conway have been playing music since school days, when they started the Jellybean Jug Band together, which subsequently morphed into the Captain Matchbox Whoopee Band. In the early 1970s Captain Matchbox were a tearaway success with old 1920s/30s tunes such as My Canary Has Circles Under His Eyes and comical tunes of their own, like Wangaratta Wahine. Mic loves visual entertainment and vaudeville, and creating instruments out of anything to hand. He has been in countless band line-ups over the last 40 years, and they all demonstrate his unique vision of performance, circus and vaudeville. Jim on the other hand is a natural musician and a blues one at that. He found his instrument early on in Captain Matchbox with the harmonica, proceeding to become one of Australia’s foremost blues harp players. As has been said of them, the brothers make sibling rivalry an art form, but they are also very close. At the age of 30 Jim was diagnosed with multiple sclerosis (MS), and this has gradually progressed over the last 40 years to the point where Jim is now virtually quadriplegic and can no longer play harmonica. Jim is married and Mic has his own family, but they have remained side by side through the years.
“Cine au fost stramosii nostri?”
What the evening left behind rests in corners of my heart, Like old postcards made of starlight from the years that fell apart, And the hush of twilight whispers on the windows of my mind, Of the tenderness and sorrow only time could help me find. What the evening left behind still remains beneath my skin, Soft reminders of the journey and the paths I’ve wandered in, Though the horizon keeps on fading, though the dusk is redefined— I am warmed by all the stories that the evening left behind. There are feelings I can’t measure, there are nights I can’t forget, When the world was full of longing and the sky was violet, Yet the sweetness of the memory settles gently in my bones— What the evening left behind still feels like coming home. What the evening left behind still remains beneath my skin, Soft reminders of the journey and the paths I’ve wandered in, Though the horizon keeps on fading, though the dusk is redefined— I am warmed by all the stories that the evening left behind. So I breathe the quiet twilight and I hold it close and mild, Let the softest recollection kiss the shadow of the child, For the echoes of the sunset tell a truth both sweet and kind— Life is made of what we carry… and what evening leaves behind. What the evening left behind still remains beneath my skin, Soft reminders of the journey and the paths I’ve wandered in, Though the horizon keeps on fading, though the dusk is redefined— I am warmed by all the stories that the evening left behind. And the echo stays within me, like a friend who never leaves.
A once A-list star found herself unable to overcome depression and seek help from her best friend. Will she get what she wanted?
This music video tells the story of a couple on the run via horseback through the Outback of Australia from the jealous Sheriff Clyde.
Two teens escape a disease outbreak in the early hours of the morning and are faced with the challenge of surviving for the days to come.
How can a single mushroom become an umbrella of shared prosperity on the Loess Plateau? Umbrellas of Prosperity: Mushroom Bloom on the Loess Plateau follows agricultural scientist Huang Chao, whose lifelong dedication to the Loess Plateau has transformed mushroom cultivation through scientific innovation. The film documents his team’s breakthroughs in converting agricultural waste into valuable growing substrates, developing new mushroom varieties, and transferring technology to local farmers. Their work has revitalized abandoned cave dwellings into productive mushroom farms, turning a humble mushroom into a powerful driver of rural revitalization. More than a documentary about agricultural science, this is a story of perseverance, innovation, and the pursuit of shared prosperity.
PLAY MOVIE (please click here)A mysterious new game is found at a thrift shop that transports a group of friends on Maya’s birthday to different time periods, challenging them as each one must face a dark fate for the others to move on to the next level.
Days before her Adlib Ibiza fashion debut, Diana’s world is rocked when her hands begin to tremble, rendering her unable to embroider her masterpiece. As she navigates the challenges this brings to her marriage and her own sense of self, Diana embarks on a journey of resilience and self-discovery, determined to redefine her aspirations in the face of unexpected adversity.
Action &
Drama Movies
Wedding day, after the restaurant, the husband and wife go to the apartment to spend time together, but how they spend it remains a mystery.
A quick look on the past, present and future on Argentina and Uruguay.
1944. A wounded Nazi Muslim soldier runs through the forests of Finland. Decades later, a filmmaker retraces his steps to tell his story — but finds that the past doesn’t stay silent.
<p>Due to copyright protection we are unable to reveal the script online. Anyone interested to read the script may have to contact the writer directly and ask for permission to read it or a copy of the script.</p>
Dire consequences ensue when two Catholic priests at a New Mexico parish clash during the 1980s Sanctuary Movement, endangering the lives of three innocent Salvadoran refugees.
PLAY MOVIE (please click here)
When a beautiful woman and her mysterious husband move into the tight-knit community of Blackwood Falls a terrible crime unleashes a wave of occult-themed murders that threatens to overwhelm the whole town.
Due to copyright protection we are unable to reveal the script online. Anyone interested to read the script may have to contact the writer directly and ask for permission to read it or get a copy of the script. Thank you for your understanding.
In the pandemonium of a World War II blitz, Frankie, a local soldier on leave, must navigate the bomb-ravaged streets of Liverpool to find his missing two-year-old daughter and save her life. Battling both the dangers of war and paralysing guilt, he races against time in a desperate struggle for survival and redemption.
Due to copyright protection we are unable to reveal the script online. Anyone interested to read the script may have to contact the writer directly and ask for permission to read it or get a copy of the script. Thank you for your understanding.
A mix of Indiana Jones meets Zorro!
Wilbert, in his 30’s, takes on jobs for an antique shop owner. Though no ordinary jobs. Recovering stolen ancient pearl necklaces. Stopping crooks in their tracks. Finding lost and kidnapped people. Stopping thugs and menaces in the town of Miami.
He then comes across a man named that caused problem at a casino, Diego (though for some reason he registered his name at the casino as ‘Terence Cayton’), whom we find out is the biggest supplier of rubies in Miami and Florida, and all those rubies are illegal, conflict rubies! From Myanmar, the world capital for conflict rubies. And it happens so that Wilbert also sells rubies in Miami, though legal ones.
Diego finds out that someone else in town is selling rubies to his customers, drawing them away from Diego. Wilbert! Action and adventure awaits! Other issues arise as Wilbert navigates through the mishcievious world of crooks and mischievious folks, he finds out about Andy, the leader of the Irolops, a syndicate of thief’s that rob pawn shops, houses, impound lots, cars and other things, and Wilbert at one point has a bunch of rubies (40 grand worth) stolen from him by one of the gang members of the Irolops as he is making a delivery to one of his customer.
Owing his supplier of these rubies 40 grand by the end of the month. It seem Andy also knows Diego and are good friends. Wilbert continues his pursuit of justice and getting illegal rubies, these conflict rubies from Myanmar out of Miami. As you can see there is an intricate web of things. How will Wilbert come out in all this. Well…. watch on… or should I say… read on!
The intention of LUCID was to explore the proliferation of digital media that has cultivated an era where the lines between reality and fiction are increasingly blurred. Though we turn to social media to connect, it ultimately estranges us from ourselves and others and to reality itself. The purpose of LUCID is to allegorically represent this disconnect through the medium of lucid dreaming in order to expose the disintegration of the authentic self within a hypermediated world. My film would be suited to audiences who have a suspicion that the contours of existence extend beyond the dimensions of an iPhone screen, who are painfully aware that we are, in the words of Postman, “amusing ourselves to death.”
In the closure of the city’s last video rental stores, this short documentary finds its starting point to reflect on urban gentrification and the changing habits of consumption. Through disappearing spaces and the people who once inhabited them, the film connects the loss of these places with the transformation of the audiovisual medium and the arrival of artificial intelligence, used as a metaphor for an unstoppable technological change that redefines the way we live, consume, and relate to culture, leaving open the question of what is lost along the way.
Due to copyright protection we are unable to reveal the script online. Anyone interested to read the script may have to contact the writer directly and ask for permission to read it or get a copy of the script. Thank you for your understanding.
Shane returns to his rural childhood home with one objective: get through a family gathering without reopening the wounds he buried decades ago. But when his uncle Mort — the man who raised him after his parents’ deaths — is declared missing, Shane is forced back into the place where his trauma began.
As police question the family, Shane’s composure fractures. His preserved childhood bedroom, filled with relics of boyhood, becomes a silent witness to what was taken from him. His wife Audrey senses the truth before Shane can speak it — that Mort’s disappearance is bound to years of sexual abuse hidden behind respectability and silence.
When Mort reappears unexpectedly at Shane and Audrey’s remote Australian property, the past refuses to stay buried. Audrey witnesses Mort’s predatory control over Shane and understands, with devastating clarity, that the abuse never truly ended. Faced with a system that failed a child and would protect the abuser again, Audrey acts. Mort is killed, and his disappearance becomes deliberate.
In the aftermath, Shane confronts the cost of survival — the shame, the fear, and the complicity enforced by love and family. As police search for answers inside the same house where the abuse occurred, Shane and Audrey choose a different kind of silence, mirroring the lies that once protected Mort.
Yet something shifts. Shane moves from a man frozen by trauma to one who is finally seen and defended. Audrey becomes both protector and moral reckoning. ‘Wounds of a Boy’ is a stark Australian psychological thriller about buried violence, inherited silence, and the terrible, transformative moment when a survivor is finally believed.
