Script/Screenplay
Due to copyright protection we are unable to reveal the script online. Anyone interested to read the script may have to contact the writer directly and ask for permission to read it or get a copy of the script. Thank you for your understanding.
THE CREW is based on true events, and it is a behind the scenes view aboard a yacht on charter in the Mediterranean Sea.
It's got the key ingredients of a guaranteed successful film - sex, drugs, drama, raw comedy.
Mix that with some hilarious situations with great characters and you have a very entertaining project.
The book is currently receiving 5 star reviews from readers and has an ever growing audience on social media.
The book begins with a brief description of the yacht’s crew and their colorful history.
The book follows the crew’s lives and daily routine aboard a large, state of the art millionaire’s motor yacht.
The gleaming white yacht is hired by a seedy Russian gangster and his entourage.
When you mix unlimited cash, with booze and bikini models you get a recipe for scandal and below deck the crew see it all.
The book takes you on a raw, fast paced, hilarious joyride as the crew work and party around the clock on the charter, visiting the fashionable and hedonistic ports of the Mediterranean.
It is not just a story of the glitzy, awe inspiring millionaire’s yachting industry. It is a story of brotherhood, characters, comradeship, innocence, deviousness, being human and pulling together in the face of adversity.
It’s about finding out what’s important in life through experiencing it, finding love and friendship and above all humor.
Due to copyright protection we are unable to reveal the script online. Anyone interested to read the script may have to contact the writer directly and ask for permission to read it or get a copy of the script. Thank you for your understanding.
Shane returns to his rural childhood home with one objective: get through a family gathering without reopening the wounds he buried decades ago. But when his uncle Mort — the man who raised him after his parents’ deaths — is declared missing, Shane is forced back into the place where his trauma began.
As police question the family, Shane’s composure fractures. His preserved childhood bedroom, filled with relics of boyhood, becomes a silent witness to what was taken from him. His wife Audrey senses the truth before Shane can speak it — that Mort’s disappearance is bound to years of sexual abuse hidden behind respectability and silence.
When Mort reappears unexpectedly at Shane and Audrey’s remote Australian property, the past refuses to stay buried. Audrey witnesses Mort’s predatory control over Shane and understands, with devastating clarity, that the abuse never truly ended. Faced with a system that failed a child and would protect the abuser again, Audrey acts. Mort is killed, and his disappearance becomes deliberate.
In the aftermath, Shane confronts the cost of survival — the shame, the fear, and the complicity enforced by love and family. As police search for answers inside the same house where the abuse occurred, Shane and Audrey choose a different kind of silence, mirroring the lies that once protected Mort.
Yet something shifts. Shane moves from a man frozen by trauma to one who is finally seen and defended. Audrey becomes both protector and moral reckoning. 'Wounds of a Boy' is a stark Australian psychological thriller about buried violence, inherited silence, and the terrible, transformative moment when a survivor is finally believed.
<p>Due to copyright protection we are unable to reveal the script online. Anyone interested to read the script may have to contact the writer directly and ask for permission to read it or a copy of the script.</p>
When a fertility-control experiment mutates kangaroos into bloodthirsty predators, four backpackers on an outback road trip are thrust into a brutal fight for survival. Hunted across the plains by a hyper-intelligent alpha known as Red Jack, they must outwit the land’s most iconic animal—or become the first victims of a plague capable of overrunning Australia.
Due to copyright protection we are unable to reveal the script online. Anyone interested to read the script may have to contact the writer directly and ask for permission to read it or get a copy of the script. Thank you for your understanding.
Due to copyright protection we are unable to reveal the script online. Anyone interested to read the script may have to contact the writer directly and ask for permission or a copy of the script. Thank you for your understanding.
Professor Wes Craven and third years UCLA film student Jon Carpenter are caught up in a slashers desire to bring back Alfred Hitchcock from the depth of hell.
Due to copyright protection we are unable to reveal the script online. Anyone interested to read the script may have to contact the writer directly and ask for permission or a copy of the script. Thank you for your understanding.
In remote Australia, a stoic farmer is left alone when his partner takes their dog, forcing him to confront his need for control as he struggles to let go. A visitation with Max brings Jack new hope, until he witnesses Jess with another man and his loneliness turns to desperation. Told through long, quiet takes and the watchful eyes of a dog, Stay. is a haunting portrait of love, loss, and the challenges faced by Australia's rural inhabitants.
<p>Due to copyright protection we are unable to reveal the script online. Anyone interested to read the script may have to contact the writer directly and ask for permission to read it or a copy of the script.</p>
Dire consequences ensue when two Catholic priests at a New Mexico parish clash during the 1980s Sanctuary Movement, endangering the lives of three innocent Salvadoran refugees.
Brothers Mic & Jim Conway have been playing music since school days, when they started the Jellybean Jug Band together, which subsequently morphed into the Captain Matchbox Whoopee Band. In the early 1970s Captain Matchbox were a tearaway success with old 1920s/30s tunes such as My Canary Has Circles Under His Eyes and comical tunes of their own, like Wangaratta Wahine. Mic loves visual entertainment and vaudeville, and creating instruments out of anything to hand. He has been in countless band line-ups over the last 40 years, and they all demonstrate his unique vision of performance, circus and vaudeville. Jim on the other hand is a natural musician and a blues one at that. He found his instrument early on in Captain Matchbox with the harmonica, proceeding to become one of Australia’s foremost blues harp players. As has been said of them, the brothers make sibling rivalry an art form, but they are also very close. At the age of 30 Jim was diagnosed with multiple sclerosis (MS), and this has gradually progressed over the last 40 years to the point where Jim is now virtually quadriplegic and can no longer play harmonica. Jim is married and Mic has his own family, but they have remained side by side through the years.
Due to copyright protection we are unable to reveal the script online. Anyone interested to read the script may have to contact the writer directly and ask for permission to read it or get a copy of the script. Thank you for your understanding.
In the pandemonium of a World War II blitz, Frankie, a local soldier on leave, must navigate the bomb-ravaged streets of Liverpool to find his missing two-year-old daughter and save her life. Battling both the dangers of war and paralysing guilt, he races against time in a desperate struggle for survival and redemption.
Due to copyright protection we are unable to reveal the script online. Anyone interested to read the script may have to contact the writer directly and ask for permission to read it or get a copy of the script. Thank you for your understanding.
(DRAFT 9) When a lonely pharmacy tech is catfished by someone impersonating actress Lucy Hale, he spirals into an obsessive digital romance that blurs the line between fantasy and delusion. As his life unravels, the only voice that seems to understand him is Aria Montgomery—Hale’s fictional alter ego—who may not be real, but speaks to the ache no one else sees.
