HornPlay
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A dystopian fetish agency stages ritualized domination sessions where religious iconography, demonology, and latex bodies merge into a choreography of controlled erotic power.
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After ten years of marriage, Birgit is confronted with the ultimate betrayal. Her younger husband, Hanus, has left her and moved in with a new and younger woman, Maria. Hanus is the kind of man everyone falls for – charming, magnetic, and with a particular power over women. Even those he has left behind remain emotionally entangled in his invisible web. Despite having emotionally and financially betrayed them, Hanus manages to maintain control. He returns whenever it suits him – including sexually – and the women let him. In a car parked in a lot in Tórshavn, everything comes to a head. In a claustrophobic space between car seats, love, power and humiliation collide in a moment of raw emotional reckoning. "It’s Not Me You Should Pity" is a powerful psychological drama about losing one’s footing and dignity when love dies. The ending is open: Is Birgit’s breakdown a total collapse – or the first, fragile step toward freedom and human dignity?
A free spirit girl fell for a medical doctor after drifting through life with an unsettled heart
Fed up with their lower-class life, lifelong friends Gambler and Kit attempt to climb the social ladder through reality TV and card-counting in Blackjack.
An afflicted soul wanders a wilderness that seems alive with torment—its silence broken only by the whispers of something dark, something ancient. Struggling to distinguish delusion from truth, he’s pulled deeper into a shadowed realm where fear, doubt, and despair close in like fog. As his mind unravels and the world around him bends, fragments of something different—something radiant—begin to break through. A presence. A promise. A choice. The New Creation is a haunting descent into the human soul’s darkest night, and a stirring exploration of the mysterious force that can bring light to even the most forsaken path.
Directed by ElectricSkin 9min 52
This work develops from Electric Skin, a long-term visual practice rooted in fetish photography and expanded into experimental film.
At its core is a self-developed approach to “light painting fetish” photography, where the body is not documented, but constructed through controlled illumination, surface reflection, and staged proximity.
The films continue this logic in motion. They do not originate from narrative cinema or documentary observation, but from a visual methodology shaped in still image practice — where bodies, materials, and costumes are treated as sculptural elements within controlled light environments.
Fetish here is not used as subject matter, but as an image system. Latex, skin, and light operate as interchangeable layers of perception, defining how the body appears, disappears, and transforms within the frame.
The work moves between abstraction and embodiment, maintaining a focus on sensory intensity rather than explanation or storytelling.
Director Statement
cross-disciplinary fetish image system (sensual Light-painting Photography → Film → Art Installation)
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