Atlanta
Based in Atlanta, Earn and his cousin Alfred are trying to make their way up in the world through the rap scene. Along the way they come face to face with social and economic issues touching on race, relationships, poverty, status, and parenthood
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Due to copyright protection we are unable to reveal the script online. Anyone interested to read the script may have to contact the writer directly and ask for permission or a copy of the script. Thank you for your understanding.
Space Is No Place For Tourists. A private spacecraft is struck by the corpse of a long dead Cosmonaut putting the ship on an Extra Orbital trajectory that will certainly kill everyone aboard unless they embark on a course of action that puts them on a collision course with Geostationary Satellites, a Killer Satellite, a Zombie Satellite and a Killer Satellite Killer.
Pervivencias is a creative documentary that, through the found footage technique, aims to reflect on the power of images to contain and reproduce moments from our own lives and, in a way, bring them back to the present. To achieve this, materials from various audiovisual formats (Super 8, home video, slides, etc.) have been used, as well as equipment to reproduce these formats. Therefore, this documentary also seeks to highlight the gap that the disappearance of these devices, which allow us to access these images, can create with our immediate past, and the need to preserve these materials, which offer us a fairly clear vision of the daily lives of anonymous people not so long ago. Because of this theme and the factors through which it is expressed, the themes of love and death also underlie Pervivencias.
During a wake, three men —a Mexican, a Venezuelan, and an Argentine— accidentally become trapped on the rooftop of a funeral home. What begins as an absurd and uncomfortable wait gradually transforms, as night falls, into an intimate confrontation with the dead man who connects them and with everything he left unresolved within them. Separated from the ritual unfolding below, the three men move from courtesy to confession, and from discomfort to a shared truth none of them knew. After Never is an intimate, performance-driven drama about grief, memory, guilt, and the fragile possibility of change.
Our apologies the film has been removed as it has not met our terms & conditions of participation, Reason: no screener download link was provided as requested. CIFF Admin
Katerina works in a registry office. She helps seal loving hearts, while her own marriage has been on hold for a long time. Katerina's husband has been in a coma for five years, and the family seems to be stuck with him. A new love brings a major change in Katerina's life, forcing her to make choices that she was previously afraid to make.
This film blends reality and fiction to offer a unique perspective on the possible whereabouts of Federico García Lorca's remains and what would happen if they were unexpectedly discovered ninety years after his assassination. Part of the story draws inspiration from real events that shaped its protagonists, while the other part springs from the author's imagination, who incorporates creative elements to enrich the narrative and explore emotions and possibilities beyond the documented facts. The result is a work that mixes truth and fantasy in a captivating balance. But the question remains: could it not be true? Judge for yourselves.
A"Home comes from being haunted,” as the German saying goes — or so it seems to a castaway on a deserted island when a cup with the infamous Blue Onion pattern (an iconic East German dishware design) washes ashore. Ironically, it comes from the porcelain works of his hometown of Triptis in Thuringia. Its appearance triggers deep childhood memories of a world where everything seemed to be made of porcelain. It is a porcelain that has accompanied generations. MADE IN TRIPTIS is an absurdly comic animated short film about the necessity of new perspectives on home.
After ten years of marriage, Birgit is confronted with the ultimate betrayal. Her younger husband, Hanus, has left her and moved in with a new and younger woman, Maria. Hanus is the kind of man everyone falls for – charming, magnetic, and with a particular power over women. Even those he has left behind remain emotionally entangled in his invisible web. Despite having emotionally and financially betrayed them, Hanus manages to maintain control. He returns whenever it suits him – including sexually – and the women let him. In a car parked in a lot in Tórshavn, everything comes to a head. In a claustrophobic space between car seats, love, power and humiliation collide in a moment of raw emotional reckoning. "It’s Not Me You Should Pity" is a powerful psychological drama about losing one’s footing and dignity when love dies. The ending is open: Is Birgit’s breakdown a total collapse – or the first, fragile step toward freedom and human dignity?
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