{"id":280,"date":"2026-05-13T01:16:41","date_gmt":"2026-05-13T01:16:41","guid":{"rendered":"https:\/\/try.chethemes.com\/vodi\/movie\/game-night\/"},"modified":"2026-05-13T01:18:40","modified_gmt":"2026-05-13T01:18:40","slug":"pretty-little-lucy-script","status":"publish","type":"movie","link":"https:\/\/colortapeinternational.eu\/2026\/movie\/pretty-little-lucy-script\/","title":{"rendered":"Pretty Little Lucy (SCRIPT)"},"content":{"rendered":"\n<p>Written by.  David Williamson    103 pages<\/p>\n\n\n\n<p>Pennsylvania Screenwriter | Thriller, Horror &amp; Drama | Pretty Little Lucy | Ddubbs Wicked Creations<\/p>\n\n\n\n<p>David B. Williamson is a screenwriter and founder of Ddubbs Wicked Creations, known for bold, emotionally intelligent, and psychologically complex storytelling that lingers long after the credits roll. His work blends character-driven drama, psychological thrillers, and genre-bending horror with a deep understanding of human behavior, trauma, and redemption.<br>Williamson\u2019s breakout screenplay, Pretty Little Lucy, is a psychological drama about digital deception, obsession, and the blurred lines between reality and fantasy. Inspired by a real-life catfishing incident, the film has been praised in industry coverage for its emotional depth, unique 15-day spiral structure, and commercial viability. Backed by a sustained multi-platform marketing campaign, Pretty Little Lucy has gained measurable online traction, generating thousands of views, high engagement rates, and growing interest from producers and executives.<\/p>\n\n\n\n<p>Under the Ddubbs Wicked Creations banner, Williamson has built a diverse portfolio of market-ready projects, including:<\/p>\n\n\n\n<p>Eastern State \u2013 A supernatural thriller set inside a haunted, for-profit penitentiary.<br>The Lady and the Lantern \u2013 A gothic horror steeped in atmosphere and dread.<br>Backlash \u2013 A drama about identity, AI manipulation, and the fragility of self.<br>Steel Pride \u2013 A bold queer slasher.<br>The Curse of the Mad Butcher \u2013 A Rust Belt\u2013rooted slasher film with a cult appeal.<br>A data-driven creative entrepreneur, Williamson actively integrates marketing, audience development, and brand positioning into his filmmaking approach, ensuring his projects are not only creatively strong but commercially primed. His work has attracted attention from industry professionals at LES IS MORE ENTERTAINMENT, The SpringHill Company, and other production entities, aligning with his vision of bringing emotionally charged, socially resonant stories to a global audience.<br>Specialties: Psychological thrillers, character-driven drama, horror, non-linear storytelling, audience engagement campaigns, pitch strategy, creative brand building.<br>Availability: Open to collaboration, development deals, and production partnerships for both feature and series formats.<\/p>\n\n\n\n<p>Website: https:\/\/ddubbswickedcreations.com &amp; https:\/\/linktr.ee\/david_b_williamson<\/p>\n\n\n\n<p>Writer Statement<\/p>\n\n\n\n<p>\ud83c\udfac Writer\u2019s Statement<br>David B. Williamson \u2014 Writer \/ Creator<br>Pretty Little Lucy is a psychological drama about digital intimacy, loneliness, and the emotional cost of being unseen. Inspired by a real catfishing encounter I intentionally explored to understand the psychology of deception, the story became both an investigation and a confession\u2014a mirror held up to modern isolation.<br>At its core, the film is not about the scam itself, but about what makes someone want to believe. It\u2019s about the quiet ache of connection in an age defined by curated personas and digital ghosts. Through David\u2019s descent into obsession and fantasy, I wanted to confront how technology reshapes empathy, how delusion can masquerade as love, and how storytelling becomes the only honest way to survive the silence that follows.<br>Visually, Pretty Little Lucy exists between grounded realism and surreal delusion\u2014one moment intimate and fragile, the next fractured by glitch and dream. The film\u2019s tone honors psychological cinema in the lineage of One Hour Photo, Black Swan, and Her\u2014stories where longing becomes the antagonist.<br>I wrote this not as a victim, but as a storyteller reclaiming the narrative. What began as an online deception evolved into a deeply human exploration of truth, vulnerability, and creative rebirth.<br>For fifteen days, my protagonist loses himself in a lie.<br>For two hours, I invite the audience to see how beautiful\u2014and how dangerous\u2014that lie can feel.<br>\u2014 David B. Williamson<br>DDubbs Wicked Creations<br>www.ddubbswickedcreations.com<\/p>\n","protected":false},"excerpt":{"rendered":"<p>\nDue to copyright protection we are unable to reveal the script online. Anyone interested to read the script may have to contact the writer directly and ask for permission to read it or get a copy of the script. Thank you for your understanding.\n<\/p>\n<p>(DRAFT 9) When a lonely pharmacy tech is catfished by someone impersonating actress Lucy Hale, he spirals into an obsessive digital romance that blurs the line between fantasy and delusion. As his life unravels, the only voice that seems to understand him is Aria Montgomery\u2014Hale\u2019s fictional alter ego\u2014who may not be real, but speaks to the ache no one else sees.<\/p>\n","protected":false},"author":1,"featured_media":5699,"comment_status":"open","ping_status":"closed","template":"","meta":{"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0},"movie_genre":[212,230],"movie_tag":[271,272,231,273],"class_list":["post-280","movie","type-movie","status-publish","has-post-thumbnail","hentry","movie_genre-script-screenplay","movie_genre-usa","movie_tag-david-williamson","movie_tag-pretty-little-lucy-script","movie_tag-script","movie_tag-usa"],"aioseo_notices":[],"_links":{"self":[{"href":"https:\/\/colortapeinternational.eu\/2026\/wp-json\/wp\/v2\/movie\/280","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/colortapeinternational.eu\/2026\/wp-json\/wp\/v2\/movie"}],"about":[{"href":"https:\/\/colortapeinternational.eu\/2026\/wp-json\/wp\/v2\/types\/movie"}],"author":[{"embeddable":true,"href":"https:\/\/colortapeinternational.eu\/2026\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/colortapeinternational.eu\/2026\/wp-json\/wp\/v2\/comments?post=280"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/colortapeinternational.eu\/2026\/wp-json\/wp\/v2\/media\/5699"}],"wp:attachment":[{"href":"https:\/\/colortapeinternational.eu\/2026\/wp-json\/wp\/v2\/media?parent=280"}],"wp:term":[{"taxonomy":"movie_genre","embeddable":true,"href":"https:\/\/colortapeinternational.eu\/2026\/wp-json\/wp\/v2\/movie_genre?post=280"},{"taxonomy":"movie_tag","embeddable":true,"href":"https:\/\/colortapeinternational.eu\/2026\/wp-json\/wp\/v2\/movie_tag?post=280"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}